Happy 100th Birthday, Richard M. Nixon! Part 3
To conclude our celebration of his 100th birthday, we kick good old Dick Nixon one last time.
From MAD #147, December 1971
Writer: Larry Gore
Artist: Jack Rickard
To conclude our celebration of his 100th birthday, we kick good old Dick Nixon one last time.
From MAD #147, December 1971
Writer: Larry Gore
Artist: Jack Rickard
MAD has a long history of running a wide variety of material on our back covers: fake ads, magazine parodies, comics, and more. To wrap up 2012, each member of the MAD staff selected a favorite back cover and explained why this one stands out above hundreds of others. To read them all, click here!
MAD #230, April 1982
Selected by Editor John Ficarra
John says: "I first saw this back cover when I was still a newbie at MAD. I remember laughing out loud from it. It was the first time that I had ever been exposed to John (The Hammerhead) Caldwell’s art and I just loved his style. Looking at it today, 30 years later, I still love John’s style, but I also have a greater appreciation of his pacing and his element of surprise. You never see the joke coming. The fact that the joke is a cheap toilet gag — a staple of MAD — is a bonus, and something I think we can all embrace."
Writer and Artist: John Caldwell
MAD has a long history of running a wide variety of material on our back covers: fake ads, magazine parodies, comics, and more. To wrap up 2012, each member of the MAD staff selected a favorite back cover and explained why this one stands out above hundreds of others. Come back tomorrow to see the last pick, and to read them all, click here!
MAD #90, October 1964
Selected by Art Director Sam Viviano
Sam says: "The best use of MAD's back cover, for me, was as a vehicle for ad parodies, which were always so carefully put together that at first look they seemed to be the real thing. This back cover features a takeoff of the ads for Breck Shampoo which had been running for decades in magazines such as Ladies’ Home Journal and Harper's Bazaar. These ads featured pastel portraits of beautiful young women with silky long hair, rendered from 1936 to 1957 by Charles Sheldon and thereafter by the illustrator Ralph William Williams. (The campaign ended with Williams' death in 1976.) MAD's takeoff, with the headline, "Make Beautiful Hair BLECCH," portrayed — rather than a beautiful young woman with long, silky hair — a not-so-beautiful young man with long, silky hair (a novelty in 1964) — specifically, Ringo Starr, drummer for the Beatles. The portrait itself was painted with full Ralph William Williams lusciousness by infrequent MAD contributor Frank Frazetta. As an impressionable 11-year-old, I was fascinated by how a single image could be both beautiful and grotesque, precisely accurate and extravagantly exaggerated. It firmed up my ambition, already stoked by countless pages of Mort Drucker art, to pursue a career as a humorous illustrator."
Artist: Frank Frazetta
MAD has a long history of running a wide variety of material on our back covers: fake ads, magazine parodies, comics, and more. To wrap up 2012, each member of the MAD staff selected a favorite back cover and explained why this one stands out above hundreds of others. Come back on Monday to see another pick, and to read them all, click here!
MAD #210, October 1979
Selected by Senior Editor Charlie Kadau
Charlie says: "It took the nuclear reactor accident at Three Mile Island to finally break Alfred E. Neuman’s cool, clueless exterior. This could have been a front cover — and these days, it more likely would have — so I particularly like that it was painted by Norman Mingo."
Artist: Norman Mingo
MAD has a long history of running a wide variety of material on our back covers: fake ads, magazine parodies, comics, and more. To wrap up 2012, each member of the MAD staff selected a favorite back cover and explained why this one stands out above hundreds of others. Come back tomorrow to see another pick, and to read them all, click here!
MAD #308, January 1992
Selected by Senior Editor Joe Raiola
Joe says: "At the risk of blowing my own comedy horn, this parody of an NRA ad, which I wrote with my pal Charlie Kadau, is among my favorite MAD back covers. First, in the pre-Photoshop era, Irving Schild’s photographic wizardry was simply astonishing. But what I love best about this is the back story. Soon after the spoof was published, MAD was deluged with hundreds of letters from angry NRA members, each threatening to 'boycott our advertisers' — at a time when the magazine was advertiser-free. You can’t make this stuff up!"
Writers: Joe Raiola & Charlie Kadau
Photo: Irving Schild
MAD has a long history of running a wide variety of material on our back cover: fake ads, magazine parodies, comics, and more. To wrap up 2012, each member of the MAD staff selected a favorite back cover and explained why this one stands out above hundreds of others. Come back later today to see another pick, and to read them all, click here!
MAD #265, September 1986
Selected by Assistant Art Director Ryan Flanders
Ryan says: "I first saw this back cover as an adolescent MAD fan, and I consider it to be a prime example of how MAD can be equally hilarious AND educational for the younger readers in our audience. To fully understand why each card was funny, one had to be well informed about the world at large. Though I was crazy for Garbage Pail Kids, I knew little about global politics, so I made sure to learn the story behind each figure represented. I wanted to laugh at P.W. Botha as completely as I could at Prince. To this day, I often cite this piece when discussing why it works for us to address aspects of the culture that might go over a kid's head — when I was that kid, MAD made me want to jump high enough so I could catch every word.
I was also mesmerized by how well Will Elder, Harvey Kurtzman, and the MAD Art Department mirrored the look of the real Garbage Pail Kids cards. That was one of the first times I noticed that the visual elements of satire should be as accurate as the writing, and that precision is something I now strive for in all of my work at MAD."
Artists: Harvey Kurtzman & Will Elder
MAD has a long history of running a wide variety of material on our back cover: fake ads, magazine parodies, comics, and more. To wrap up 2012, each member of the MAD staff selected a favorite back cover and explained why this one stands out above hundreds of others. Come back tomorrow to see another pick, and to read them all, click here!
MAD #60, January 1961
Selected by Associate Editor Dave Croatto
Dave says: "For me, this back cover demonstrates just how smart MAD can be about its stupidity. In fact, even after 50 years, the cover still feels innovative, clever and daring. Unlike most back covers, it’s not a stand-alone, one-page gag. Instead, it’s part of a larger, ambitiously-dumb joke on the part of the editors. This issue was scheduled to appear on newsstands the day after the election — making it impossible for MAD to know the winner in time to get him on the cover. So, MAD did the next best thing — they congratulated BOTH candidates! On the front cover was Nixon, while Kennedy was on the back cover (printed upside down so the magazine would appear to open properly!). News agents were sent a letter instructing them to display the cover with the winner on it — and the Usual Gang of Idiots would look like geniuses (for, I assume, the first and last time). I can’t imagine any young reader picking up this issue and not having their mind completely blown…twice. First, that MAD was able to predict the winner, then again when they realized how MAD had cheated in such a fantastic, smart-ass way."
Artist: Bob Clarke
MAD has a long history of running a wide variety of material on our back covers: fake ads, magazine parodies, comics, and more. To wrap up 2012, each member of the MAD staff selected a favorite back cover and explained why this one stands out above hundreds of others. Come back tomorrow to see another pick, and to read them all, click here!
MAD #153, September 1972
Selected by Production Artist Doug Thomson
Doug says: "I both love and cringe at MAD's history of anti-drug and anti-smoking posters. It fascinates me that such a subversive magazine was so quaintly prudish about any sort of drug use, especially in the late 60s and early 70s. Of all of the posters — and there were many — this one is the best. It's so intense and insane. From the ammunition belt filled with syringes to Joe Pusher's raggedy haircut, the whole thing is awesome. As a designer, I love the simplicity of the poster, and its collection of eye-catching details: that crazy hot orange background, the mustard shirt with weird cuff straps, the lone pill that draws your eye to those brown pants with outside fly buttons. The more I look, the dumber and more amazing the whole thing becomes."
Idea: Max Brandel
Photo: Irving Schild
MAD has a long history of running a wide variety of material on our back covers: fake ads, magazine parodies, comics, and more. To wrap up 2012, each member of the MAD staff selected a favorite back cover and explained why this one stands out above hundreds of others. Come back tomorrow to see another pick, and to read them all, click here!
MAD #278, April 1988
Selected by Associate Editor Jacob Lambert
Jacob says: "This was one of the first issues I received as a nine-year-old subscriber, and it’s fair to say that 'Sports Titillated' blew my young mind. The image was upside-down, so that when you flipped it, it felt like you had a whole new magazine in your hands. I was also desperate for anything that approximated the real Sports Illustrated swimsuit issue, which my mother had confiscated in an act of protective monstrousness. These two factors, along with a vague undercurrent of strangeness — am I supposed to find her attractive or not? — made this issue one of my early favorites. 'Sports Titillated' seems fairly weak to me now, but, as is so often the case with MAD, it hit me at the right time."
Photo: Irving Schild

From MAD #151, June 1972
Artist: Arnoldo Franchioni